Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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Only later , when thought was no longer dominated by classical theory , did the word genre come into use ; it was probably the eighteenth - century French writer and critic Denis Diderot who introduced the word – to designate the ...
Only later , when thought was no longer dominated by classical theory , did the word genre come into use ; it was probably the eighteenth - century French writer and critic Denis Diderot who introduced the word – to designate the ...
˹éÒ 136
His early work still reflects the monochromatic art of Van Goyen ; later , during the 1640s he came under the influence of a type of ' Italianate ' landscape that had , ever since the beginning of the century , occupied a position of ...
His early work still reflects the monochromatic art of Van Goyen ; later , during the 1640s he came under the influence of a type of ' Italianate ' landscape that had , ever since the beginning of the century , occupied a position of ...
˹éÒ 150
Two days before the actual battle , on 18 June 1815 , the Prince of Orange ( later King William II ) had greatly distinguished himself ; against the orders of the Duke of Wellington , he had , with his Dutch troops , held a position ...
Two days before the actual battle , on 18 June 1815 , the Prince of Orange ( later King William II ) had greatly distinguished himself ; against the orders of the Duke of Wellington , he had , with his Dutch troops , held a position ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |