Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 58
... light on a scale varying from very dark to very bright . The 37 paintings of Fabritius , however , of which The Goldfinch of 1654 is a brilliant example , maintain an overall brightness , a golden glow ; yet within the strong light , light ...
... light on a scale varying from very dark to very bright . The 37 paintings of Fabritius , however , of which The Goldfinch of 1654 is a brilliant example , maintain an overall brightness , a golden glow ; yet within the strong light , light ...
˹éÒ 59
... light , as a stylistic concern , and his choice of subject matter . Indeed , to express and control movement in space ( as is necessary for instance in Rembrandt's The ' Night Watch ' ) the light imbued with colour , as employed by ...
... light , as a stylistic concern , and his choice of subject matter . Indeed , to express and control movement in space ( as is necessary for instance in Rembrandt's The ' Night Watch ' ) the light imbued with colour , as employed by ...
˹éÒ 163
... light was allowed to touch colour were extremely formal . For example , a study of how the sky was painted in the seventeenth century reveals that only a few types were employed . The most common were : an evenly grey sky , used almost ...
... light was allowed to touch colour were extremely formal . For example , a study of how the sky was painted in the seventeenth century reveals that only a few types were employed . The most common were : an evenly grey sky , used almost ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual