Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 34
This kind of realism of detail , which enhances the artfulness and bizarrerie of a picture , is a logical component of Mannerist taste . All the more striking , therefore , is the return of a more logical approach in narrative ...
This kind of realism of detail , which enhances the artfulness and bizarrerie of a picture , is a logical component of Mannerist taste . All the more striking , therefore , is the return of a more logical approach in narrative ...
˹éÒ 83
... Early Netherlandish portraiture had been based , almost exclusively , upon almost neutral observation as was logical within the tradition of the meticulous , descriptive realism then existing . Lucas van Leyden , for instance ...
... Early Netherlandish portraiture had been based , almost exclusively , upon almost neutral observation as was logical within the tradition of the meticulous , descriptive realism then existing . Lucas van Leyden , for instance ...
˹éÒ 103
For pictorial realism the criterion of fidelity was of course logical . It had the advantage , too , that one could easily and objectively compare the real thing with its pictorial rendering . It was applied regardless of a picture's ...
For pictorial realism the criterion of fidelity was of course logical . It had the advantage , too , that one could easily and objectively compare the real thing with its pictorial rendering . It was applied regardless of a picture's ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |