Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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For Christ's Apostles on the left , he chose garments that had a certain austere , monastic look . Comparing the picture to a static , formalized image like the Rogier van der Weyden , it is immediately apparent that Ouwater conceived ...
For Christ's Apostles on the left , he chose garments that had a certain austere , monastic look . Comparing the picture to a static , formalized image like the Rogier van der Weyden , it is immediately apparent that Ouwater conceived ...
˹éÒ 38
But , though this reading looks fairly logical in this case , with a picture which does not contain explicit symbols , it is certainly not a general model . A seventeenth - century Dutchman would look at Nature in a moralistic way ...
But , though this reading looks fairly logical in this case , with a picture which does not contain explicit symbols , it is certainly not a general model . A seventeenth - century Dutchman would look at Nature in a moralistic way ...
˹éÒ 89
When he painted himself he was of course free to follow his 63 own instinct ; and if one reviews the self - portraits , of which there are a considerable number , one sees how here the point is not how a man should look but how ...
When he painted himself he was of course free to follow his 63 own instinct ; and if one reviews the self - portraits , of which there are a considerable number , one sees how here the point is not how a man should look but how ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |