Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 17
... Master of the Virgin among Virgins . A contemporary of Geertgen , he was active between 1475 and 1500 in Delft . The five main figures are awkwardly crowded together in an enclosure 5 5 MASTER OF THE VIRGIN AMONG VIRGINS The Madonna ...
... Master of the Virgin among Virgins . A contemporary of Geertgen , he was active between 1475 and 1500 in Delft . The five main figures are awkwardly crowded together in an enclosure 5 5 MASTER OF THE VIRGIN AMONG VIRGINS The Madonna ...
˹éÒ 18
... Master seems more advanced than Geertgen : notice how the movement and position of the hands seem to dramatize the space within the group of virgins . ― Towards the very end of the fifteenth century , signs of a new approach to ...
... Master seems more advanced than Geertgen : notice how the movement and position of the hands seem to dramatize the space within the group of virgins . ― Towards the very end of the fifteenth century , signs of a new approach to ...
˹éÒ 126
... the clarity of the structure , this refined art stands alone in Dutch painting . Saenredam had no real master. 102 SAENREDAM Interior of St Odolphus ' Church , Assendelft 1649 119 VAN POELENBURGH Waterfalls at Tivoli c . 1620. 126.
... the clarity of the structure , this refined art stands alone in Dutch painting . Saenredam had no real master. 102 SAENREDAM Interior of St Odolphus ' Church , Assendelft 1649 119 VAN POELENBURGH Waterfalls at Tivoli c . 1620. 126.
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual