Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 48
... moral point in a Christian ethic . After this and other first essays by Buytewech ( brilliant in their total commitment to a new style ) , the Haarlem manner of genre painting quickly gained influence . No doubt an important and ...
... moral point in a Christian ethic . After this and other first essays by Buytewech ( brilliant in their total commitment to a new style ) , the Haarlem manner of genre painting quickly gained influence . No doubt an important and ...
˹éÒ 109
... moral content . Yet there are pictures , like for instance Esaias's Dunes and Hunters or De Molijn's Landscape with 80 Cottages , which are hard to place within any conventionalized tradition of moralistic imagery ; nor are there any ...
... moral content . Yet there are pictures , like for instance Esaias's Dunes and Hunters or De Molijn's Landscape with 80 Cottages , which are hard to place within any conventionalized tradition of moralistic imagery ; nor are there any ...
˹éÒ 155
... moral qualities . Courbet was orthodox in his ideological conviction . His contemporaries were usually less passionate ; but they too subscribed to the basic principles of realism . Reality should be depicted as it was : reality as ...
... moral qualities . Courbet was orthodox in his ideological conviction . His contemporaries were usually less passionate ; but they too subscribed to the basic principles of realism . Reality should be depicted as it was : reality as ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual