Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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And the church , rising up behind the architectural décor , may be there to frame the moral point in a Christian ethic . After this and other first essays by Buytewech ( brilliant in their total commitment to a new style ) , the Haarlem ...
And the church , rising up behind the architectural décor , may be there to frame the moral point in a Christian ethic . After this and other first essays by Buytewech ( brilliant in their total commitment to a new style ) , the Haarlem ...
˹éÒ 109
So I can only assume that this picture by Porcellis might have a similar meaning - partly because it is hard to accept a seventeenthcentury painting without a particular moral content . Yet there are pictures , like for instance ...
So I can only assume that this picture by Porcellis might have a similar meaning - partly because it is hard to accept a seventeenthcentury painting without a particular moral content . Yet there are pictures , like for instance ...
˹éÒ 155
The true artist found his subjects in his own time , and in his own surroundings ; there he would paint what he saw , without employing stylistic devices ( as earlier masters had done ) to imbue his subject with moral qualities .
The true artist found his subjects in his own time , and in his own surroundings ; there he would paint what he saw , without employing stylistic devices ( as earlier masters had done ) to imbue his subject with moral qualities .
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |