Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 79
... motives , types of composition or the arrangement of colours . In general , however , they borrowed these quite ... motive , which Rembrandt would never have allowed himself , brings De SI 122 52 52 DE GELDER Holy Family 1661 53 VAN ...
... motives , types of composition or the arrangement of colours . In general , however , they borrowed these quite ... motive , which Rembrandt would never have allowed himself , brings De SI 122 52 52 DE GELDER Holy Family 1661 53 VAN ...
˹éÒ 89
... expression of the more prominent position of the husband , in relation to the wife , was already the major compositional 64 64 REMBRANDT Titus at his Desk 1655 Rembrands th 3 65 66 motive in Giovanni Arnolfini and his Wife.
... expression of the more prominent position of the husband , in relation to the wife , was already the major compositional 64 64 REMBRANDT Titus at his Desk 1655 Rembrands th 3 65 66 motive in Giovanni Arnolfini and his Wife.
˹éÒ 96
... motive for the disorder in the background , of militiamen getting into line - a disorder which is sustained and controlled by varied spots of bright light . As Samuel van Hoogstraeten wrote in 1678 , It is not enough that a painter ...
... motive for the disorder in the background , of militiamen getting into line - a disorder which is sustained and controlled by varied spots of bright light . As Samuel van Hoogstraeten wrote in 1678 , It is not enough that a painter ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual