Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
¨Ò¡´éÒ¹ã¹Ë¹Ñ§Ê×Í
¼Å¡Òäé¹ËÒ 1 - 3 ¨Ò¡ 19
˹éÒ 11
a proposed because pictures had now to fulfil a very precise function : they had ( like a public speech ) to instruct , to move and to please an audience . They had to instruct through the clarity with which a story , as an example ...
a proposed because pictures had now to fulfil a very precise function : they had ( like a public speech ) to instruct , to move and to please an audience . They had to instruct through the clarity with which a story , as an example ...
˹éÒ 20
Bosch's evident difficulty in letting his ' actors ' move freely makes it understandable that Italian examples were , finally , welcomed . So , at least , it appeared to the theorist and biographer Karel van Mander who , writing in ...
Bosch's evident difficulty in letting his ' actors ' move freely makes it understandable that Italian examples were , finally , welcomed . So , at least , it appeared to the theorist and biographer Karel van Mander who , writing in ...
˹éÒ 21
It should teach , move and please the audience . Because he is the centre of the narrative , Christ's presence had to be emphasized , and so did the gesture of baptism made by John . In medieval art , not restricted by the laws of ...
It should teach , move and please the audience . Because he is the centre of the narrative , Christ's presence had to be emphasized , and so did the gesture of baptism made by John . In medieval art , not restricted by the laws of ...
¤ÇÒÁ¤Ô´àË繨ҡ¼ÙéÍ×è¹ - à¢Õ¹º·ÇÔ¨Òóì
àÃÒäÁ辺º·ÇÔ¨Òóìã´æ ã¹áËÅ觢éÍÁÙÅ·ÑèÇä»
©ºÑºÍ×è¹æ - ´Ù·Ñé§ËÁ´
¤ÓáÅÐÇÅÕ·Õ辺ºèÍÂ
actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
ºÃóҹءÃÁ
| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |