Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 11
... move and to please an audience . They had to instruct through the clarity with which a story , as an example , was narrated ; they had to move through the realistic and persuasive representation of emotional states within the picture ...
... move and to please an audience . They had to instruct through the clarity with which a story , as an example , was narrated ; they had to move through the realistic and persuasive representation of emotional states within the picture ...
˹éÒ 20
... move freely makes it understandable that Italian examples were , finally , welcomed . So , at least , it appeared to ... moves around naturally ; and with their size , the figures fit very well into the space . The same goes for the ...
... move freely makes it understandable that Italian examples were , finally , welcomed . So , at least , it appeared to ... moves around naturally ; and with their size , the figures fit very well into the space . The same goes for the ...
˹éÒ 21
... move and please the audience . Because he is the centre of the narrative , Christ's presence had to be emphasized ... moved him to the front ; and to retain a nimbus of some kind he took care to let the beam of light , in which the Holy ...
... move and please the audience . Because he is the centre of the narrative , Christ's presence had to be emphasized ... moved him to the front ; and to retain a nimbus of some kind he took care to let the beam of light , in which the Holy ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual