Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
¨Ò¡´éÒ¹ã¹Ë¹Ñ§Ê×Í
¼Å¡Òäé¹ËÒ 1 - 3 ¨Ò¡ 21
˹éÒ 24
The figure - piece , too , so important , needs the figures to be varied as to position , movement , activity , design , character and expression . We mentioned the seven directions of movement ; IO II CORNELIS CORNELISZ .
The figure - piece , too , so important , needs the figures to be varied as to position , movement , activity , design , character and expression . We mentioned the seven directions of movement ; IO II CORNELIS CORNELISZ .
˹éÒ 91
The genial gesture of Abraham del Court ( as if saluting the lady ) , at the same time leaning slightly backwards and towards her – these elegant suggestions of movement ultimately derived from Hals . But Van der Helst has changed them ...
The genial gesture of Abraham del Court ( as if saluting the lady ) , at the same time leaning slightly backwards and towards her – these elegant suggestions of movement ultimately derived from Hals . But Van der Helst has changed them ...
˹éÒ 96
Making full use of the available space , he let the group be activated by a single movement , which was described in a caption to a watercolour copy of the painting in the Banning Cocq family album : ' the young Heer van Purmerlandt ...
Making full use of the available space , he let the group be activated by a single movement , which was described in a caption to a watercolour copy of the painting in the Banning Cocq family album : ' the young Heer van Purmerlandt ...
¤ÇÒÁ¤Ô´àË繨ҡ¼ÙéÍ×è¹ - à¢Õ¹º·ÇÔ¨Òóì
àÃÒäÁ辺º·ÇÔ¨Òóìã´æ ã¹áËÅ觢éÍÁÙÅ·ÑèÇä»
©ºÑºÍ×è¹æ - ´Ù·Ñé§ËÁ´
¤ÓáÅÐÇÅÕ·Õ辺ºèÍÂ
actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
ºÃóҹءÃÁ
| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |