Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 18
... narrative style became stronger and stronger yet they remained largely outside the orbit of Italian style . , And if there was some knowledge of the new Italian theoretical concepts , it was not yet strong enough to allow painters to ...
... narrative style became stronger and stronger yet they remained largely outside the orbit of Italian style . , And if there was some knowledge of the new Italian theoretical concepts , it was not yet strong enough to allow painters to ...
˹éÒ 36
... narrative subject ; and since painting a narrative picture is an act of invention and imagination ( however much the imagination is the result of the visual experience of the artist ) , the landscape , its character and its structure ...
... narrative subject ; and since painting a narrative picture is an act of invention and imagination ( however much the imagination is the result of the visual experience of the artist ) , the landscape , its character and its structure ...
˹éÒ 69
... narrative incident into his landscape ; but none of them can really be called a history painter in the sense in which Rembrandt was one . History painting was for him still the highest form of pictorial art , and for that reason in 1624 ...
... narrative incident into his landscape ; but none of them can really be called a history painter in the sense in which Rembrandt was one . History painting was for him still the highest form of pictorial art , and for that reason in 1624 ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual