Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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Pieter Claesz . avoided the problem by choosing very simple objects in two main colours : pewter plates , a herring , a knife , a glass of beer , all with a dull grey sheen ; the brownish colour matches the lighter brown of the piece of ...
Pieter Claesz . avoided the problem by choosing very simple objects in two main colours : pewter plates , a herring , a knife , a glass of beer , all with a dull grey sheen ; the brownish colour matches the lighter brown of the piece of ...
˹éÒ 189
Objects , people , details in a landscape are described separately ; there is little or no relation between them – each object is strangely alone . This precision has a fixating effect : objects and people are trapped in the picture and ...
Objects , people , details in a landscape are described separately ; there is little or no relation between them – each object is strangely alone . This precision has a fixating effect : objects and people are trapped in the picture and ...
˹éÒ 197
Fully accepting the contemporary viewpoint ( most tellingly expressed by Marcel Duchamp ) that a work of art was just an object which established itself as art within a specific cultural context , from 1960 onwards he produced white ...
Fully accepting the contemporary viewpoint ( most tellingly expressed by Marcel Duchamp ) that a work of art was just an object which established itself as art within a specific cultural context , from 1960 onwards he produced white ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |