Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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What is shown in this development , most of all , is how crucial the relation was between genre and pictorial realism – and also that pictorial 29 VAN OSTADE Carousing Peasants c . 1638 30 BROUWER SO.
What is shown in this development , most of all , is how crucial the relation was between genre and pictorial realism – and also that pictorial 29 VAN OSTADE Carousing Peasants c . 1638 30 BROUWER SO.
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Grand pictorial allegory , which is a reference from the visible to the invisible ( from a man sharpening his pen to the concept of study ) , became for the documentary , realist painting of the nineteenth century an impossible task .
Grand pictorial allegory , which is a reference from the visible to the invisible ( from a man sharpening his pen to the concept of study ) , became for the documentary , realist painting of the nineteenth century an impossible task .
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As if to find , in the subject , a norm for the pictorial decisions he had to take , Mondrian looked for a structure and found one , which is especially apparent in the middle part of the picture : the horizon and the trees are treated ...
As if to find , in the subject , a norm for the pictorial decisions he had to take , Mondrian looked for a structure and found one , which is especially apparent in the middle part of the picture : the horizon and the trees are treated ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |