Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 83
... portrait is not just a likeness of an individual to be preserved for posterity ; it is also an image of pride , a projection of social position . A man who wants his portrait painted cannot but attach a certain importance to himself ...
... portrait is not just a likeness of an individual to be preserved for posterity ; it is also an image of pride , a projection of social position . A man who wants his portrait painted cannot but attach a certain importance to himself ...
˹éÒ 85
... portrait - of which the subtly formalist portrait of Cardinal Granvelle , counsellor to the Emperor , of 57 1549 , is an example . The main characteristics of this type are the high position of the head , giving an impression of austere ...
... portrait - of which the subtly formalist portrait of Cardinal Granvelle , counsellor to the Emperor , of 57 1549 , is an example . The main characteristics of this type are the high position of the head , giving an impression of austere ...
˹éÒ 88
... portrait of Maria Trip ( 1639 ) . In pictorial handling it differs from , for example , a typical female 62 portrait by Hals , Freyntje van Steenkiste ( 1635 ) . In type there is no great difference . Both portraits show the peculiar ...
... portrait of Maria Trip ( 1639 ) . In pictorial handling it differs from , for example , a typical female 62 portrait by Hals , Freyntje van Steenkiste ( 1635 ) . In type there is no great difference . Both portraits show the peculiar ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual