Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 81
Rudi Fuchs. CHAPTER FOUR Images of pride Types of portraiture By 1610 , the year that Frans Hals ( 1581-1666 ) joined the Haarlem Guild of St Luke , the art of portraiture , lacking real imaginative impulse , had become very orthodox ...
Rudi Fuchs. CHAPTER FOUR Images of pride Types of portraiture By 1610 , the year that Frans Hals ( 1581-1666 ) joined the Haarlem Guild of St Luke , the art of portraiture , lacking real imaginative impulse , had become very orthodox ...
˹éÒ 83
... portraiture . The major reason for this is that portraiture , more than any other category , is subject to strict conditions , the most important of which springs from its social sensitivity . A portrait is not just a likeness of an ...
... portraiture . The major reason for this is that portraiture , more than any other category , is subject to strict conditions , the most important of which springs from its social sensitivity . A portrait is not just a likeness of an ...
˹éÒ 89
... portraiture . The boy is depicted at his writing - desk at a moment when he is not writing but given to thought . This gives the portrait a quality of absent - mindedness which is basically foreign to official portraiture . — Not only ...
... portraiture . The boy is depicted at his writing - desk at a moment when he is not writing but given to thought . This gives the portrait a quality of absent - mindedness which is basically foreign to official portraiture . — Not only ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual