Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 52
... present a moral example but as it had to be readable by ordinary people , it consequently had to be presented within a context which the public could recognize . This gave the realism in genre a quality of closeness and sharpness ...
... present a moral example but as it had to be readable by ordinary people , it consequently had to be presented within a context which the public could recognize . This gave the realism in genre a quality of closeness and sharpness ...
˹éÒ 94
... present in all its apparent uneasiness . In a painting of a banquet it is , of course , particularly difficult ; when people eat , they sit round a table - but portraying them in that position would mean that some of them would be seen ...
... present in all its apparent uneasiness . In a painting of a banquet it is , of course , particularly difficult ; when people eat , they sit round a table - but portraying them in that position would mean that some of them would be seen ...
˹éÒ 126
... present , as does Van Delen's picture , imaginary architectural constructions , nor does it have anything to do with contemporary architectural aesthetics , since almost all the buildings portrayed by Saenredam are late Romanesque or ...
... present , as does Van Delen's picture , imaginary architectural constructions , nor does it have anything to do with contemporary architectural aesthetics , since almost all the buildings portrayed by Saenredam are late Romanesque or ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual