Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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But at the same time Goltzius is attempting to present the story in a clearly legible way - direct and undisguised by Art . 20 21 19 DE GHEYN Poseidon and Amphitrite 1592 20 CORNELIS CORNELISZ . Bathsheba 1594 21 GOLTZIUS Juno Receiving ...
But at the same time Goltzius is attempting to present the story in a clearly legible way - direct and undisguised by Art . 20 21 19 DE GHEYN Poseidon and Amphitrite 1592 20 CORNELIS CORNELISZ . Bathsheba 1594 21 GOLTZIUS Juno Receiving ...
˹éÒ 94
1500-53 ) , the problem is present in all its apparent uneasiness . In a painting of a banquet it is , of course , particularly difficult ; when people eat , they sit round a table – but portraying them in that position would mean that ...
1500-53 ) , the problem is present in all its apparent uneasiness . In a painting of a banquet it is , of course , particularly difficult ; when people eat , they sit round a table – but portraying them in that position would mean that ...
˹éÒ 126
It does not present , as does Van Delen's picture , imaginary architectural constructions , nor does it have anything to do with contemporary architectural aesthetics , since almost all the buildings portrayed by Saenredam are late ...
It does not present , as does Van Delen's picture , imaginary architectural constructions , nor does it have anything to do with contemporary architectural aesthetics , since almost all the buildings portrayed by Saenredam are late ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |