Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 94
... problem is present in all its apparent uneasiness . In a painting of a banquet it is , of course , particularly difficult ; when people eat , they sit round a table - but portraying them in that position would mean that some of them ...
... problem is present in all its apparent uneasiness . In a painting of a banquet it is , of course , particularly difficult ; when people eat , they sit round a table - but portraying them in that position would mean that some of them ...
˹éÒ 95
... problem was his unwillingness to sacrifice the individual distinctiveness of each single portrait to a conception of the group as a whole . To organize a lightly coherent group would have meant bringing the figures closer together ...
... problem was his unwillingness to sacrifice the individual distinctiveness of each single portrait to a conception of the group as a whole . To organize a lightly coherent group would have meant bringing the figures closer together ...
˹éÒ 169
... problem , how to give meaning to art , was the central issue in the troubled life and work of the greatest Dutch painter of the nineteenth century , Vincent van Gogh ( 1853-90 ) . Although he made drawings as a child , Vincent was ...
... problem , how to give meaning to art , was the central issue in the troubled life and work of the greatest Dutch painter of the nineteenth century , Vincent van Gogh ( 1853-90 ) . Although he made drawings as a child , Vincent was ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual