Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
¨Ò¡´éÒ¹ã¹Ë¹Ñ§Ê×Í
¼Å¡Òäé¹ËÒ 1 - 3 ¨Ò¡ 32
˹éÒ 94
1500-53 ) , the problem is present in all its apparent uneasiness . In a painting of a banquet it is , of course , particularly difficult ; when people eat , they sit round a table – but portraying them in that position would mean that ...
1500-53 ) , the problem is present in all its apparent uneasiness . In a painting of a banquet it is , of course , particularly difficult ; when people eat , they sit round a table – but portraying them in that position would mean that ...
˹éÒ 95
different compositional problem . Here the militiamen are , so to speak , on duty : armed and in full dress , they stand before the Renaissance gate of their headquarters ( the Doelen ) . ( For unknown reasons , this picture was cut ...
different compositional problem . Here the militiamen are , so to speak , on duty : armed and in full dress , they stand before the Renaissance gate of their headquarters ( the Doelen ) . ( For unknown reasons , this picture was cut ...
˹éÒ 169
The crucial problem , how to give meaning to art , was the central issue in the troubled life and work of the greatest Dutch painter of the nineteenth century , Vincent van Gogh ( 1853-90 ) . Although he made drawings as a child ...
The crucial problem , how to give meaning to art , was the central issue in the troubled life and work of the greatest Dutch painter of the nineteenth century , Vincent van Gogh ( 1853-90 ) . Although he made drawings as a child ...
¤ÇÒÁ¤Ô´àË繨ҡ¼ÙéÍ×è¹ - à¢Õ¹º·ÇÔ¨Òóì
àÃÒäÁ辺º·ÇÔ¨Òóìã´æ ã¹áËÅ觢éÍÁÙÅ·ÑèÇä»
©ºÑºÍ×è¹æ - ´Ù·Ñé§ËÁ´
¤ÓáÅÐÇÅÕ·Õ辺ºèÍÂ
actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
ºÃóҹءÃÁ
| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |