Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 38
This reading of the painting is not , I believe , just romantic fancy . The selection and distribution of the motifs seems far too precise and calculated to be arbitrary . There is , however , no written text to which this , admittedly ...
This reading of the painting is not , I believe , just romantic fancy . The selection and distribution of the motifs seems far too precise and calculated to be arbitrary . There is , however , no written text to which this , admittedly ...
˹éÒ 72
And it is for this , for a careful reading of the relevant text ( in Judges 14-16 ) that Angel praises Rembrandt , this bold mind ' . Rembrandt's ability to grasp the deep spirit and significance of a subject , his highly independent ...
And it is for this , for a careful reading of the relevant text ( in Judges 14-16 ) that Angel praises Rembrandt , this bold mind ' . Rembrandt's ability to grasp the deep spirit and significance of a subject , his highly independent ...
˹éÒ 149
In more elaborate paintings , however , like Reading from the Bible ( 1879 ) by A.H. Bakker Korff ( 1824-82 ) , the recognition of the Victorian sentimentality of the subject is wholly dependent on the sub - title : Song of Solomon 2 ...
In more elaborate paintings , however , like Reading from the Bible ( 1879 ) by A.H. Bakker Korff ( 1824-82 ) , the recognition of the Victorian sentimentality of the subject is wholly dependent on the sub - title : Song of Solomon 2 ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |