Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 150
... reality as it really was . That an empirical attitude towards reality ( and a documentary attitude in painting ) impedes the imagination , even if one actually wants to realize a grand design , is shown by one of the greatest pictorial ...
... reality as it really was . That an empirical attitude towards reality ( and a documentary attitude in painting ) impedes the imagination , even if one actually wants to realize a grand design , is shown by one of the greatest pictorial ...
˹éÒ 182
... reality ' . By this he meant that true reality is universal and general that , for example , the true reality of a tree is not its specific form but , more abstractly , its verticality , its upwardness and its branching out in space ...
... reality ' . By this he meant that true reality is universal and general that , for example , the true reality of a tree is not its specific form but , more abstractly , its verticality , its upwardness and its branching out in space ...
˹éÒ 204
... Reality of Morandi . It is a construction of two photographs . One is a reproduction of a Morandi still- life : a highly aesthetic arrangement of small bottles in soft pastel colours on a table - top ; the other photograph has been set ...
... Reality of Morandi . It is a construction of two photographs . One is a reproduction of a Morandi still- life : a highly aesthetic arrangement of small bottles in soft pastel colours on a table - top ; the other photograph has been set ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual