Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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It seems that experience of reality was controlled by a conceptual framework that subordinated perception of the world to a formal system of knowledge . For this reason , neutral representation had no place in seventeenth - century ...
It seems that experience of reality was controlled by a conceptual framework that subordinated perception of the world to a formal system of knowledge . For this reason , neutral representation had no place in seventeenth - century ...
˹éÒ 182
Mondrian , however , rejected the actual appearance of individual forms as the visual basis for painting : ' particularities of form obscure pure reality ' . By this he meant that true reality is universal and general – that ...
Mondrian , however , rejected the actual appearance of individual forms as the visual basis for painting : ' particularities of form obscure pure reality ' . By this he meant that true reality is universal and general – that ...
˹éÒ 204
A fairly typical work by him is about Giorgio Morandi , the Italian painter mainly of still - lifes , The Reality of Morandi . It is a construction of two photographs . One is a reproduction of a Morandi stilllife : a highly aesthetic ...
A fairly typical work by him is about Giorgio Morandi , the Italian painter mainly of still - lifes , The Reality of Morandi . It is a construction of two photographs . One is a reproduction of a Morandi stilllife : a highly aesthetic ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |