Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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For this reason , neutral representation had no place in seventeenth - century culture ; it was too straightforward . Had not Christ himself spoken in parables ? The paintings just quoted , by Gerrit Dou and Jan Steen , belong to a ...
For this reason , neutral representation had no place in seventeenth - century culture ; it was too straightforward . Had not Christ himself spoken in parables ? The paintings just quoted , by Gerrit Dou and Jan Steen , belong to a ...
˹éÒ 83
The major reason for this is that portraiture , more than any other category , is subject to strict conditions , the most important of which springs from its social sensitivity . A portrait is not just a likeness of an individual to be ...
The major reason for this is that portraiture , more than any other category , is subject to strict conditions , the most important of which springs from its social sensitivity . A portrait is not just a likeness of an individual to be ...
˹éÒ 127
If my analysis is correct , in that Saenredam's pictures are primarily images of spatial order produced by architectural geometry , it could be that Huijgens appreciated them for that reason images of reasonable order , controlled ...
If my analysis is correct , in that Saenredam's pictures are primarily images of spatial order produced by architectural geometry , it could be that Huijgens appreciated them for that reason images of reasonable order , controlled ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |