Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 44
... reference to linguistic usage . The candle and open jewel - box , on the table next to the bed , refer to a popular saying : ' Neither does one buy pearls in the dark , nor does one look for love at night . ' The girl , then , is a ...
... reference to linguistic usage . The candle and open jewel - box , on the table next to the bed , refer to a popular saying : ' Neither does one buy pearls in the dark , nor does one look for love at night . ' The girl , then , is a ...
˹éÒ 105
... reference . The strength of Esaias's conviction is confirmed by The Ferry of 1622 and by Dunes and Hunters of 1629. This latter picture introduces another element which was to become part of the basic programme , and in an equally dry ...
... reference . The strength of Esaias's conviction is confirmed by The Ferry of 1622 and by Dunes and Hunters of 1629. This latter picture introduces another element which was to become part of the basic programme , and in an equally dry ...
˹éÒ 134
... reference . Such references do not seem necessary . From many literary sources it can be established that natural phenomena were experi- enced as reflections of Divine Power . Huijgens saw the Lord's benevolence shining from every dune ...
... reference . Such references do not seem necessary . From many literary sources it can be established that natural phenomena were experi- enced as reflections of Divine Power . Huijgens saw the Lord's benevolence shining from every dune ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual