Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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A similar reference to language is found in a painting by Gabriel Metsu ( 1629-67 ) , another prolific practitioner of genre ; it is now called The 26 Sleeping Sportsman , a title of typical Victorian sentimentality .
A similar reference to language is found in a painting by Gabriel Metsu ( 1629-67 ) , another prolific practitioner of genre ; it is now called The 26 Sleeping Sportsman , a title of typical Victorian sentimentality .
˹éÒ 105
... and that is why it contains , already at this early date , the complete programme of realist landscape : the low viewpoint , the wide space , the horizon , the sky , the little figures as spatial points of reference .
... and that is why it contains , already at this early date , the complete programme of realist landscape : the low viewpoint , the wide space , the horizon , the sky , the little figures as spatial points of reference .
˹éÒ 134
Thus a painting like this , and many other realist images of the Dutch landscape , contained a vanitas as meaning - even though there is no direct emblematic reference . Such references do not seem necessary . From many literary sources ...
Thus a painting like this , and many other realist images of the Dutch landscape , contained a vanitas as meaning - even though there is no direct emblematic reference . Such references do not seem necessary . From many literary sources ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |