Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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In Italy this theoretical framework could be defined because it reflected an artistic practice which was already well on the way to becoming a clear narrative style . It would take another seventy years or so before the new theoretical ...
In Italy this theoretical framework could be defined because it reflected an artistic practice which was already well on the way to becoming a clear narrative style . It would take another seventy years or so before the new theoretical ...
˹éÒ 46
... an aesthetic component of genre , and it reflects the seventeenth - century attitude towards the aesthetics of disguised symbolism in general . The poet and moralist Jacob Cats ( whose extremely popular works almost read like an ...
... an aesthetic component of genre , and it reflects the seventeenth - century attitude towards the aesthetics of disguised symbolism in general . The poet and moralist Jacob Cats ( whose extremely popular works almost read like an ...
˹éÒ 146
It reflects the aesthetic attitude of his French contemporaries , Watteau , Boucher and Lancret ; and there is ample evidence that Troost was a careful student of their work . Orientation on French art as model was to continue ...
It reflects the aesthetic attitude of his French contemporaries , Watteau , Boucher and Lancret ; and there is ample evidence that Troost was a careful student of their work . Orientation on French art as model was to continue ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |