Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 9
... relation to the biblical text to which this picture refers , one could almost call Rogier's Deposition an abstracted image . The relation is a symbolic one . The main characters are brought together within a frame , and they then ...
... relation to the biblical text to which this picture refers , one could almost call Rogier's Deposition an abstracted image . The relation is a symbolic one . The main characters are brought together within a frame , and they then ...
˹éÒ 85
... relation to the impressively broad body , gives a feeling of alertness which is accentuated by the sideways glance . ( Note , in retrospect , how in Lucas's portrait the head does not turn in relation to the body , while the eyes have a ...
... relation to the impressively broad body , gives a feeling of alertness which is accentuated by the sideways glance . ( Note , in retrospect , how in Lucas's portrait the head does not turn in relation to the body , while the eyes have a ...
˹éÒ 89
... relationship between man and woman was involved . The expression of the more prominent position of the husband , in relation to the wife , was already the major compositional 64 64 REMBRANDT Titus at his Desk 1655 Rembrands th 3 65 66 ...
... relationship between man and woman was involved . The expression of the more prominent position of the husband , in relation to the wife , was already the major compositional 64 64 REMBRANDT Titus at his Desk 1655 Rembrands th 3 65 66 ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual