Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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In relation to the biblical text to which this picture refers , one could almost call Rogier's Deposition an abstracted image . The relation is a symbolic one . The main characters are brought together within a frame , and they then ...
In relation to the biblical text to which this picture refers , one could almost call Rogier's Deposition an abstracted image . The relation is a symbolic one . The main characters are brought together within a frame , and they then ...
˹éÒ 85
This suggestion of movement , then , of the head in relation to the impressively broad body , gives a feeling of alertness which is accentuated by the sideways glance . ( Note , in retrospect , how in Lucas's portrait the head does not ...
This suggestion of movement , then , of the head in relation to the impressively broad body , gives a feeling of alertness which is accentuated by the sideways glance . ( Note , in retrospect , how in Lucas's portrait the head does not ...
˹éÒ 89
They might even have been more so ; for here the culturally and sociologically delicate relationship between man and woman was involved . The expression of the more prominent position of the husband , in relation to the wife ...
They might even have been more so ; for here the culturally and sociologically delicate relationship between man and woman was involved . The expression of the more prominent position of the husband , in relation to the wife ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |