Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 50
... seems to have been a pupil of Dou - though from the start his style was more independent . 28 91 - - A special characteristic of the Leiden School , whose subject matter consisted mainly of quiet scenes in middle - class interiors , was ...
... seems to have been a pupil of Dou - though from the start his style was more independent . 28 91 - - A special characteristic of the Leiden School , whose subject matter consisted mainly of quiet scenes in middle - class interiors , was ...
˹éÒ 91
... seems that the gesture of Abraham del Court , his hand poised in the air , is a movement slowed down that is , deliberately devoid of the resoluteness that charac- terizes the pose of Isaac Massa . And Del Court's demure wife , dressed ...
... seems that the gesture of Abraham del Court , his hand poised in the air , is a movement slowed down that is , deliberately devoid of the resoluteness that charac- terizes the pose of Isaac Massa . And Del Court's demure wife , dressed ...
˹éÒ 119
... seems to take on the colour of the vast land stretching to a low , distant horizon : a brownish green with tinges of blue . Only the sky contains more grey the clouds and is more transparent in its pictorial treatment . Dunes in the ...
... seems to take on the colour of the vast land stretching to a low , distant horizon : a brownish green with tinges of blue . Only the sky contains more grey the clouds and is more transparent in its pictorial treatment . Dunes in the ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual