Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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... sense of acute observation with an Italian formal model , he founded a style which in art history is known as ' Romanism ' . One picture explicitly mentioned by Van Mander ( praising the fine proportions of the figures , the ...
... sense of acute observation with an Italian formal model , he founded a style which in art history is known as ' Romanism ' . One picture explicitly mentioned by Van Mander ( praising the fine proportions of the figures , the ...
˹éÒ 48
... sense of the grotesque entered into Dutch painting a certain cruelty , even , in the characterization of people , which had not been there since Bosch . The strong Mannerist emphasis on noble elegance had banished it ( and in this ...
... sense of the grotesque entered into Dutch painting a certain cruelty , even , in the characterization of people , which had not been there since Bosch . The strong Mannerist emphasis on noble elegance had banished it ( and in this ...
˹éÒ 127
... sense the paintings of De Witte are , in spirit , closer to the townscapes of Jan van der Heyden ( 1637–1712 ) and Gerrit Berckheyde ( 1638–98 ) than to the subtle , detached visions of Saenredam . In a sense these townscapes , which ...
... sense the paintings of De Witte are , in spirit , closer to the townscapes of Jan van der Heyden ( 1637–1712 ) and Gerrit Berckheyde ( 1638–98 ) than to the subtle , detached visions of Saenredam . In a sense these townscapes , which ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual