Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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Here one senses how the painter was trying to force a native style into new uses . ... his northern sense of acute observation with an Italian formal model , he founded a style which in art history is known as “ Romanism ' .
Here one senses how the painter was trying to force a native style into new uses . ... his northern sense of acute observation with an Italian formal model , he founded a style which in art history is known as “ Romanism ' .
˹éÒ 48
Sometimes they contain veiled references to conventional topics such as the Five Senses , but as often they do not . ... From Rembrandt , with whom he studied here , came a sense of chiaroscuro which in the hands of Dou and his a 28 1 ...
Sometimes they contain veiled references to conventional topics such as the Five Senses , but as often they do not . ... From Rembrandt , with whom he studied here , came a sense of chiaroscuro which in the hands of Dou and his a 28 1 ...
˹éÒ 127
Quite often they were put together with elements from different buildings , or even wholly imaginary ; the church is a décor , a space filled with sunlight which changes the colours , and a meeting - place for people . In this sense the ...
Quite often they were put together with elements from different buildings , or even wholly imaginary ; the church is a décor , a space filled with sunlight which changes the colours , and a meeting - place for people . In this sense the ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |