Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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Unfortunately the painting is now lost , but the mirror and other striking details in Jan van Eyck's bridal portrait of Giovanni Arnolfini and his Wife ( 1434 ) may show what Fazio , and others , marvelled at . Ouwater was the earliest ...
Unfortunately the painting is now lost , but the mirror and other striking details in Jan van Eyck's bridal portrait of Giovanni Arnolfini and his Wife ( 1434 ) may show what Fazio , and others , marvelled at . Ouwater was the earliest ...
˹éÒ 38
A seventeenth - century Dutchman would look at Nature in a moralistic way , within a framework of moral values : contemporary poetry shows this quite clearly . He would look at a realistic picture in much the same way , the picture ...
A seventeenth - century Dutchman would look at Nature in a moralistic way , within a framework of moral values : contemporary poetry shows this quite clearly . He would look at a realistic picture in much the same way , the picture ...
˹éÒ 67
In its strong , dramatic composition the Caravaggesque heritage is clear , while a certain high - keyed realism , for instance in the treatment of facial physiognomy , shows that Terbrugghen at the same time remained within his native ...
In its strong , dramatic composition the Caravaggesque heritage is clear , while a certain high - keyed realism , for instance in the treatment of facial physiognomy , shows that Terbrugghen at the same time remained within his native ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |