Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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Similar characteristics occur in Bosch's painting , especially on the left , where one finds quite complex narrative groupings of people talking to each other . Noticeable too is the free distribution of figures in space – already quite ...
Similar characteristics occur in Bosch's painting , especially on the left , where one finds quite complex narrative groupings of people talking to each other . Noticeable too is the free distribution of figures in space – already quite ...
˹éÒ 109
So I can only assume that this picture by Porcellis might have a similar meaning - partly because it is hard to accept a seventeenthcentury painting without a particular moral content . Yet there are pictures , like for instance ...
So I can only assume that this picture by Porcellis might have a similar meaning - partly because it is hard to accept a seventeenthcentury painting without a particular moral content . Yet there are pictures , like for instance ...
˹éÒ 193
Together with Belgian and Danish colleagues of similar bent they founded , in 1948 , an international group which took its revolutionary sounding name COBRA from the first letters of three European capitals .
Together with Belgian and Danish colleagues of similar bent they founded , in 1948 , an international group which took its revolutionary sounding name COBRA from the first letters of three European capitals .
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |