Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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The narrative 41 structure of The Resurrection is rather similar to that of Lastman's Odysseus and Nausicaa – but how very different is the treatment of space and light . The spatial setting in both pictures is defined only by ...
The narrative 41 structure of The Resurrection is rather similar to that of Lastman's Odysseus and Nausicaa – but how very different is the treatment of space and light . The spatial setting in both pictures is defined only by ...
˹éÒ 126
The painting thus becomes an image of a space already formed - an image of spatial order . An even stronger impression of order in space is conveyed in a painting of the Interior of St Odolphus ' Church , Assendelft , 1649 , with the ...
The painting thus becomes an image of a space already formed - an image of spatial order . An even stronger impression of order in space is conveyed in a painting of the Interior of St Odolphus ' Church , Assendelft , 1649 , with the ...
˹éÒ 185
In Mondrian's classic paintings of the 1920s and 1930s , such as the Composition of 1921 , space is evoked and structured by discreet visual signs , black lines and , often but not always , small blocks of primary colour ; these signs ...
In Mondrian's classic paintings of the 1920s and 1930s , such as the Composition of 1921 , space is evoked and structured by discreet visual signs , black lines and , often but not always , small blocks of primary colour ; these signs ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |