Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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... on meticulous rendering of things observed : still - life , architectural painting and , in a sense , landscape . ... Yet in Italy , where their emancipation started , they never became really important genres , at least not until ...
... on meticulous rendering of things observed : still - life , architectural painting and , in a sense , landscape . ... Yet in Italy , where their emancipation started , they never became really important genres , at least not until ...
˹éÒ 114
22 89 in 1631 ; Salomon van Ruysdael ( 1600 / 03–70 ) , who spent most of his life in Haarlem ; and De Molijn . ... Another indication of this aestheticism is the emergence of a similar tonality in still - life painting - where it must ...
22 89 in 1631 ; Salomon van Ruysdael ( 1600 / 03–70 ) , who spent most of his life in Haarlem ; and De Molijn . ... Another indication of this aestheticism is the emergence of a similar tonality in still - life painting - where it must ...
˹éÒ 210
Saenredam , exh . cat . , Centraal Museum , 5 Landscape and still - life in the seventeenth century Utrecht 1961 ; I. Manke , Emanuel de Witte 1617–1692 , K. Clark , Landscape into Art , London 1950 , is Amsterdam 1963 ; G. Schwartz ...
Saenredam , exh . cat . , Centraal Museum , 5 Landscape and still - life in the seventeenth century Utrecht 1961 ; I. Manke , Emanuel de Witte 1617–1692 , K. Clark , Landscape into Art , London 1950 , is Amsterdam 1963 ; G. Schwartz ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |