Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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As a style , Mannerism was oriented towards Art . In consequence it was really a variation of High Renaissance style - of the work of Michelangelo and Raphael – which was widely considered the epitome of perfect Art . ( In Dutch terms ...
As a style , Mannerism was oriented towards Art . In consequence it was really a variation of High Renaissance style - of the work of Michelangelo and Raphael – which was widely considered the epitome of perfect Art . ( In Dutch terms ...
˹éÒ 187
Back in Groningen he found his true style in paintings like Landscape with Red Trees 172 ( 1924 ) , which stands out as one of the finest paintings produced in Dutch Expressionism . Another Expressionist was Herman Kruyder ( 1881-1935 ) ...
Back in Groningen he found his true style in paintings like Landscape with Red Trees 172 ( 1924 ) , which stands out as one of the finest paintings produced in Dutch Expressionism . Another Expressionist was Herman Kruyder ( 1881-1935 ) ...
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which gives an acute summing - up of the style Mannerism , Penguin Style and Civilization , and development of all the major painters from the Harmondsworth 1967. An exhaustive study of Dutch period 1420-1550 , with lists of works and ...
which gives an acute summing - up of the style Mannerism , Penguin Style and Civilization , and development of all the major painters from the Harmondsworth 1967. An exhaustive study of Dutch period 1420-1550 , with lists of works and ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |