Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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... suggests very strong aesthetic preoccupations , as Goltzius ' Juno Receiving the Eyes of Argus , painted in 1615 , does not . Certainly there is in Goltzius ' painting a concern with gracefully designed nudes and with elegant ...
... suggests very strong aesthetic preoccupations , as Goltzius ' Juno Receiving the Eyes of Argus , painted in 1615 , does not . Certainly there is in Goltzius ' painting a concern with gracefully designed nudes and with elegant ...
˹éÒ 92
This architectural venture , too , suggests a shift in taste similar to that manifested by portraiture . The portrait style of Hals or Rembrandt came to be considered as too simple , too unadorned . The new manner ( of which Van der ...
This architectural venture , too , suggests a shift in taste similar to that manifested by portraiture . The portrait style of Hals or Rembrandt came to be considered as too simple , too unadorned . The new manner ( of which Van der ...
˹éÒ 149
Now they are in the twilight of their lives , just as the twilight of the room suggests that the day is drawing to its close . The pictures of Israëls and Bakker Korff are typical of the quiet mood of Dutch Romantic painting ; violently ...
Now they are in the twilight of their lives , just as the twilight of the room suggests that the day is drawing to its close . The pictures of Israëls and Bakker Korff are typical of the quiet mood of Dutch Romantic painting ; violently ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |