Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 40
... symbolic and moralistic content . To take this , or indeed most realism in the seventeenth century , in an anecdotal sense would be a mistake . The Quack does not reflect a street scene in Leiden , witnessed by Dou as he casually passes ...
... symbolic and moralistic content . To take this , or indeed most realism in the seventeenth century , in an anecdotal sense would be a mistake . The Quack does not reflect a street scene in Leiden , witnessed by Dou as he casually passes ...
˹éÒ 60
Rudi Fuchs. with Dou or Steen , through a chain of symbolic signs naturally reinforcing each other . The paintings of Vermeer generally acquire their meaning in association with only one symbolic sign , which then becomes the actual ...
Rudi Fuchs. with Dou or Steen , through a chain of symbolic signs naturally reinforcing each other . The paintings of Vermeer generally acquire their meaning in association with only one symbolic sign , which then becomes the actual ...
˹éÒ 75
... symbolic and ethical interpretation of history . The painting should not just illustrate the historical event which was its subject : it should , at the same time , be keyed to the lofty atmosphere with which the scene , through its ...
... symbolic and ethical interpretation of history . The painting should not just illustrate the historical event which was its subject : it should , at the same time , be keyed to the lofty atmosphere with which the scene , through its ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual