Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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But , though this reading looks fairly logical in this case , with a picture which does not contain explicit symbols , it is certainly not a general model . A seventeenth - century Dutchman would look at Nature in a moralistic way ...
But , though this reading looks fairly logical in this case , with a picture which does not contain explicit symbols , it is certainly not a general model . A seventeenth - century Dutchman would look at Nature in a moralistic way ...
˹éÒ 40
The realism of Dou's picture is a metaphorical realism – or better , a realism of visual detail in support of a symbolic and moralistic content . To take this , or indeed most realism in the seventeenth century , in an anecdotal sense ...
The realism of Dou's picture is a metaphorical realism – or better , a realism of visual detail in support of a symbolic and moralistic content . To take this , or indeed most realism in the seventeenth century , in an anecdotal sense ...
˹éÒ 60
39 with Dou or Steen , through a chain of symbolic signs naturally reinforcing each other . The paintings of Vermeer generally acquire their meaning in association with only one symbolic sign , which then becomes the actual subject of ...
39 with Dou or Steen , through a chain of symbolic signs naturally reinforcing each other . The paintings of Vermeer generally acquire their meaning in association with only one symbolic sign , which then becomes the actual subject of ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |