Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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Already in the early age of Christendom , writers ( possibly influenced by the Jewish tradition of anecdotal commentary ) had started to enlarge upon the sparse biblical text , more or less inventing narrative details in order to ...
Already in the early age of Christendom , writers ( possibly influenced by the Jewish tradition of anecdotal commentary ) had started to enlarge upon the sparse biblical text , more or less inventing narrative details in order to ...
˹éÒ 38
... to the pure white of a lily or the clarity of water , and these traditional metaphors provided suitable symbols . ... century realism - landscape , still - life and genre such an established metaphorical tradition was lacking .
... to the pure white of a lily or the clarity of water , and these traditional metaphors provided suitable symbols . ... century realism - landscape , still - life and genre such an established metaphorical tradition was lacking .
˹éÒ 175
A sense of individualism in nineteenth - century art had inexorably undermined the classic tradition , the Grand Tradition , being that collective set of artistic assumptions and convictions which had , since the Renaissance , upheld ...
A sense of individualism in nineteenth - century art had inexorably undermined the classic tradition , the Grand Tradition , being that collective set of artistic assumptions and convictions which had , since the Renaissance , upheld ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |