Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 40
... tree . In relation to the tree in bloom , rising up behind the quack , this trunk signifies the credulous acceptance by ordinary people of quacks or any other form of charming deceit . The dead tree is placed directly and very ...
... tree . In relation to the tree in bloom , rising up behind the quack , this trunk signifies the credulous acceptance by ordinary people of quacks or any other form of charming deceit . The dead tree is placed directly and very ...
˹éÒ 177
... trees are treated , almost abstractly , as the expression of a horizontal / vertical structure . The brushstrokes here follow this structure . One year after Summer's Night , in 1908 , Mondrian painted The Red Tree . In terms of ...
... trees are treated , almost abstractly , as the expression of a horizontal / vertical structure . The brushstrokes here follow this structure . One year after Summer's Night , in 1908 , Mondrian painted The Red Tree . In terms of ...
˹éÒ 179
... tree in its individual particularity ( as that tree ) - but expresses , abstractly , the typical expansiveness of a tree as it branches out into space . During the next year , 1913 , Mondrian more consciously than before adapted his ...
... tree in its individual particularity ( as that tree ) - but expresses , abstractly , the typical expansiveness of a tree as it branches out into space . During the next year , 1913 , Mondrian more consciously than before adapted his ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual