Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
¨Ò¡´éÒ¹ã¹Ë¹Ñ§Ê×Í
¼Å¡Òäé¹ËÒ 1 - 3 ¨Ò¡ 31
˹éÒ 40
People , when offered a choice between Good and Evil , often make the wrong choice ; this is expressed by the dead tree in front and the tree in bloom next to the quack . The realism of Dou's picture is a metaphorical realism – or ...
People , when offered a choice between Good and Evil , often make the wrong choice ; this is expressed by the dead tree in front and the tree in bloom next to the quack . The realism of Dou's picture is a metaphorical realism – or ...
˹éÒ 177
As if to find , in the subject , a norm for the pictorial decisions he had to take , Mondrian looked for a structure and found one , which is especially apparent in the middle part of the picture : the horizon and the trees are treated ...
As if to find , in the subject , a norm for the pictorial decisions he had to take , Mondrian looked for a structure and found one , which is especially apparent in the middle part of the picture : the horizon and the trees are treated ...
˹éÒ 179
162 MONDRIAN Apple Tree in Bloom 1912 163 MONDRIAN Composition 1913 HONES 163 the form of the tree in its individual particularity ( as that tree ) – but expresses , abstractly , the typical expansiveness of a tree as it branches out ...
162 MONDRIAN Apple Tree in Bloom 1912 163 MONDRIAN Composition 1913 HONES 163 the form of the tree in its individual particularity ( as that tree ) – but expresses , abstractly , the typical expansiveness of a tree as it branches out ...
¤ÇÒÁ¤Ô´àË繨ҡ¼ÙéÍ×è¹ - à¢Õ¹º·ÇÔ¨Òóì
àÃÒäÁ辺º·ÇÔ¨Òóìã´æ ã¹áËÅ觢éÍÁÙÅ·ÑèÇä»
©ºÑºÍ×è¹æ - ´Ù·Ñé§ËÁ´
¤ÓáÅÐÇÅÕ·Õ辺ºèÍÂ
actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
ºÃóҹءÃÁ
| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |