Dutch PaintingOxford University Press, 1978 - 216 หน้า Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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หน้า 9
... typical of its time . This is not a sign of primitivism : certain realistic details , such as the weeping woman on the left , make it clear that Rogier was a very sophisticated artist . But the early fifteenth century was dominated by a ...
... typical of its time . This is not a sign of primitivism : certain realistic details , such as the weeping woman on the left , make it clear that Rogier was a very sophisticated artist . But the early fifteenth century was dominated by a ...
หน้า 67
... typical paintings by this master is The Calling of St Matthew of 1621. In its strong , dramatic composition the Caravaggesque heritage is clear , while a certain high - keyed realism , for instance in the treatment of facial physiognomy ...
... typical paintings by this master is The Calling of St Matthew of 1621. In its strong , dramatic composition the Caravaggesque heritage is clear , while a certain high - keyed realism , for instance in the treatment of facial physiognomy ...
หน้า 88
... typical female 62 portrait by Hals , Freyntje van Steenkiste ( 1635 ) . In type there is no great difference . Both portraits show the peculiar restraint which was then typical of the female portrait . On other occasions , however ...
... typical female 62 portrait by Hals , Freyntje van Steenkiste ( 1635 ) . In type there is no great difference . Both portraits show the peculiar restraint which was then typical of the female portrait . On other occasions , however ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual