Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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The careful disposition of objects in space with which Floris van Dyck seems so concerned , producing an image which is clear in its visual detail and lively at the same time , is noticeable too in the winter landscapes by 87 Hendrick ...
The careful disposition of objects in space with which Floris van Dyck seems so concerned , producing an image which is clear in its visual detail and lively at the same time , is noticeable too in the winter landscapes by 87 Hendrick ...
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During the next year , 1913 , Mondrian more consciously than before adapted his subject to his stylistic concerns , working on a group of paintings which have for their actual visual source the elaborate architectural façades of Gothic ...
During the next year , 1913 , Mondrian more consciously than before adapted his subject to his stylistic concerns , working on a group of paintings which have for their actual visual source the elaborate architectural façades of Gothic ...
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In his work he feels himself motivated by Socialist ideas about art ; ideas about the artist designing visual programmes which the people could take up and use for their own ends – for instance to make their own art .
In his work he feels himself motivated by Socialist ideas about art ; ideas about the artist designing visual programmes which the people could take up and use for their own ends – for instance to make their own art .
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |