Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 112
... visual detail and lively at the same time , is noticeable too in the winter landscapes by Hendrick Avercamp ( 1585 ... visual exploration of reality , are related by their total opposition as two different modes of visual experience ...
... visual detail and lively at the same time , is noticeable too in the winter landscapes by Hendrick Avercamp ( 1585 ... visual exploration of reality , are related by their total opposition as two different modes of visual experience ...
˹éÒ 179
... visual source . Another remarkable aspect of Composition is that it has no clearly marked centre . In Apple Tree the visual source still left clear traces in the picture's structure : the central trunk is clearly visible , and from ...
... visual source . Another remarkable aspect of Composition is that it has no clearly marked centre . In Apple Tree the visual source still left clear traces in the picture's structure : the central trunk is clearly visible , and from ...
˹éÒ 201
... visual programmes which the people could take up and use for their own ends - for instance to make their own art . Yet geometric simplicity can hardly be an aesthetic end in itself - let alone a criterion ; it would soon exhaust itself ...
... visual programmes which the people could take up and use for their own ends - for instance to make their own art . Yet geometric simplicity can hardly be an aesthetic end in itself - let alone a criterion ; it would soon exhaust itself ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual