Macmillan's Magazine, àÅèÁ·Õè 44Macmillan and Company, 1881 |
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˹éÒ 3
... live for , " Pansy answered . " He has not much pleasure ; he is rather a sad man . " Isabel listened to this assertion with an interest which she felt it to be almost a torment that she was obliged to conceal from the child . It was ...
... live for , " Pansy answered . " He has not much pleasure ; he is rather a sad man . " Isabel listened to this assertion with an interest which she felt it to be almost a torment that she was obliged to conceal from the child . It was ...
˹éÒ 21
... live on air . " " I do , very much , and I shall go back into the garden and take another mouthful of it . I came thus far simply to say this . I said to you last year that if you were to get into trouble I should feel terribly sold ...
... live on air . " " I do , very much , and I shall go back into the garden and take another mouthful of it . I came thus far simply to say this . I said to you last year that if you were to get into trouble I should feel terribly sold ...
˹éÒ 22
... live with than a high spirit attuned to softness ? For would not the softness be all for one's self , and the strenuousness for society , which admired the air of superiority ? What could be a hap- pier gift in 22 The Portrait of a Lady .
... live with than a high spirit attuned to softness ? For would not the softness be all for one's self , and the strenuousness for society , which admired the air of superiority ? What could be a hap- pier gift in 22 The Portrait of a Lady .
˹éÒ 24
... live for the present in Italy . It was in Italy that they had met , Italy had been a party to their first impressions of each other , and Italy should be a party to their happiness . Osmond had the attach- ment of old acquaintance , and ...
... live for the present in Italy . It was in Italy that they had met , Italy had been a party to their first impressions of each other , and Italy should be a party to their happiness . Osmond had the attach- ment of old acquaintance , and ...
˹éÒ 35
... live in its mythical embodi- ment ; but that he cannot do , if he leaves it in the form of a conscious current idea and merely inserts it into the story . The first requisite is that the impression given should be æsthetically right ...
... live in its mythical embodi- ment ; but that he cannot do , if he leaves it in the form of a conscious current idea and merely inserts it into the story . The first requisite is that the impression given should be æsthetically right ...
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afraid Alexis Sergeivitch answered Arthur asked Authorised Version believe better Bible Bishop boys called Caspar Church Clifford colour Countess course Curzola Dan Murphy dear delightful dotterel England English eyes face farm feel felt Galteemore geysir Ghazni girl give Glas Maol Goodwood Greek hand happy Hazaras head Henrietta husband idea infirmaries Isabel Ivan Kandahar kind knew Korkyra lady land Lawder less live look Lord Warburton Madame Merle Malania marriage marry matter mean ment mind Miss Stackpole nature never once Osmond Othello Pansy perhaps poem poet poetry poor present Ralph Roche Rome Rosier round seemed seen sense side sinter Sir Donald Stewart sister smile speak Stanley stood strange sure talk tell tenants thing thought tion told took Touchett turned wife wish woman words workhouse young
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˹éÒ 284 - PREDESTINATION to Life is the everlasting purpose of God, whereby (before the foundations of the world were laid) he hath constantly decreed by his counsel secret to us, to deliver from curse and damnation those whom he hath chosen in Christ out of mankind, and to bring them by Christ to everlasting salvation, as vessels made to honour.
˹éÒ 269 - This spiritual Love acts not nor can exist Without Imagination, which, in truth, Is but another name for absolute power And clearest insight, amplitude of mind, And Reason in her most exalted mood.
˹éÒ 284 - IT is certain by God's word, that children which are baptized, dying before they commit actual sin, are undoubtedly saved.
˹éÒ 269 - But be his My special thanks, whose even-balanced soul, From first youth tested up to extreme old age, Business could not make dull, nor passion wild ; Who saw life steadily, and saw it whole ; The mellow glory of the Attic stage, Singer of sweet Colonus, and its child.
˹éÒ 110 - Christ did truly rise again from death, and took again his body, with flesh, bones, and all things appertaining to the perfection of Man's nature ; wherewith he ascended into Heaven, and there sitteth, until he return to judge all Men at the last day.
˹éÒ 289 - I think myself happy, king Agrippa, because I shall answer for myself this day before thee, touching all the things whereof I am accused of the Jews : 3 Especially, because I know thee to be expert in all customs and questions which are among the Jews. Wherefore I beseech thee to hear me patiently.
˹éÒ 166 - The whole strange purpose of their lives, to find Or make an enemy of all mankind! Not one looks backward, onward still he goes, Yet ne'er looks forward further than his nose.
˹éÒ 41 - DEEP on the convent-roof the snows Are sparkling to the moon : My breath to heaven like vapour goes : May my soul follow soon ! The shadows of the convent-towers Slant down the snowy sward, Still creeping with the creeping hours That lead me to my Lord : Make Thou my spirit pure and clear As are the frosty skies, Or this first snowdrop of the year That in my bosom lies. As these white robes are...
˹éÒ 213 - No more of that. I pray you, in your letters, When you shall these unlucky deeds relate, Speak of me as I am ; nothing extenuate, Nor set down aught in malice...
˹éÒ 42 - I am a part of all that I have met; Yet all experience is an arch wherethro' Gleams that untravell'd world, whose margin fades For ever and for ever when I move. How 'dull it is to pause, to make an end, To rust unburnish'd, not to shine in use! As tho