Digitizing Race: Visual Cultures of the InternetU of Minnesota Press, 20 ธ.ค. 2007 - 248 หน้า In the nineties, neoliberalism simultaneously provided the context for the Internet’s rapid uptake in the United States and discouraged public conversations about racial politics. At the same time many scholars lauded the widespread use of text-driven interfaces as a solution to the problem of racial intolerance. Today’s online world is witnessing text-driven interfaces such as e-mail and instant messaging giving way to far more visually intensive and commercially driven media forms that not only reveal but showcase people’s racial, ethnic, and gender identity.
Lisa Nakamura, a leading scholar in the examination of race in digital media, uses case studies of popular yet rarely examined uses of the Internet such as pregnancy Web sites, instant messaging, and online petitions and quizzes to look at the emergence of race-, ethnic-, and gender-identified visual cultures.
While popular media such as Hollywood cinema continue to depict nonwhite nonmales as passive audiences or consumers of digital media rather than as producers, Nakamura argues the contrary—with examples ranging from Jennifer Lopez music videos; films including the Matrix trilogy, Gattaca, and Minority Report; and online joke sites—that users of color and women use the Internet to vigorously articulate their own types of virtual community, avatar bodies, and racial politics.
Lisa Nakamura is associate professor of speech communication and Asian American studies at the University of Illinois, Urbana-Champaign. She is the author of Cybertypes: Race, Ethnicity, and Identity on the Internet and coeditor, with Beth Kolko and Gilbert Rodman, of Race in Cyberspace. |
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ผลการค้นหา 1 - 5 จาก 58
... objects and forms of critique in particular as a driving force for this shift. Question three of the document starts out by claiming that some practitioners in the field had come to view the art object as a “disembodied image, re ...
... object.” While earlier art criticism viewed art objects as “particular things made for particular historical uses,” she views new media-influenced forms of criticism such as visual culture studies as oriented around “exchanges ...
... objects no longer have a material existence as tradi- tionally conceived: “The new media inspire visual studies through an implicit philosophical confrontation. Cinema and the electronic arts are the prod- ucts of concepts that cannot ...
... objects through their relationships to earlier types of media simulations, such as rides, amusement parks, and early film forms such as the cinema of attractions. David Bolter and Richard Grusin take a similar tack in Remediation, as ...
... objects that resulted in many scholars identifying against it. In theo- rizing digital racial formation theory, I am proposing a somewhat insurgent response to new media studies, a move that may seem premature consider- ing its recent ...
เนื้อหา
1 | |
1 Ramadan Is Almoast Here The Visual Culture of AIM Buddies Race Gender and Nation on the Internet | 37 |
2 Alllooksame? Mediating Visual Cultures of Race on the Web | 70 |
3 The Social Optics of Race and Networked Interfaces in The Matrix Trilogy and Minority Report | 95 |
4 Avatars and the Visual Culture of Reproduction on the Web | 131 |
Users Identity and Cultural Difference in the United States | 171 |
The RacioVisual Logic of the Internet | 202 |
Notes | 211 |
Bibliography | 227 |
Publication History | 239 |
Index | 241 |