The Drama, เล่มที่ 9Dramatic Publishing Company, 1919 |
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acting actors Alexandrinsky Theatre American arms artistic audience beautiful BEGGAR Belgian literature bread CAPTAIN chair character Chekhov COLUMBINE comedy dear DELILAH Delker door Drama League dramatists eyes face father feel flower garden Georgette Leblanc GIRL give goes gold hair hands hate hath honorable Jack Randall Jim Kelley JOHN KING kisses laugh LI-TI LING Little Theatres look Lord LURA Maeterlinck MAGGIE Maggie Ross marionettes Meyerhold mime modern tragedy monologue Moscow Art Theatre MOTHER Mumsie native pantomime never night original pantomimes panto pantomime Parthia Philistine PIERROT play Poa-Ting-Fang pre-modern produced ring Russian SALU SAMSON scene SERVANT Sister Elena sits SLAVE speak stage stairs TAI-LO talk tell thee thine things thou art thou hast thou wilt tion tonight truth turns unalterable moral order voice Walloon WANG window woman words
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หน้า 66 - SERVANT: A remedy, O king? [He stops fanning.] THE KING: That is what I said. A remedy — and do not stop fanning me. I am exceedingly warm. THE SERVANT [fanning vigorously]: A crust of bread, O king, dropped from yonder window — forsooth that might prove a remedy. THE KING [angrily] : I have said I will not give him a crust of bread. If I gave him a crust today he would be just as hungry again tomorrow, and my troubles would be as great as before. THE SERVANT: That is true, O king. Thy mind is...
หน้า 106 - ... the one which is superficially necessary. And indeed the only words that count in the play are those that at first seemed useless, for it is therein that the essence lies. Side by side with the * necessary dialogue will you almost always find another dialogue that seems superfluous ; but examine it carefully and it will be borne home to you that this is the only one that the soul can listen to profoundly, for here alone is it the soul that is being addressed.
หน้า 81 - You come away with a very disquieting sense that you are involved in the affair, and must find the way out of it for yourself and everybody else if civilization is to be tolerable to your sense of honor. THE DIFFERENCE BETWEEN BRIEUX AND MOLIERE OR SHAKESPEAR Brieux's task is thus larger than Moliere's.
หน้า 148 - STATEMENT OF THE OWNERSHIP. MANAGEMENT, CIRCULATION, ETC., REQUIRED BY THE ACT OF AUGUST 24, 1912, OF THE DRAMA, PUBLISHED QUARTERLY AT CHICAGO.
หน้า 119 - No man from any woman's wit Hath yet learned aught of any worth, For wise is she, but unto ill, To bring disorder on the earth. What does she in affairs of state? Her place is in the inner room. Her wisdom doth least hurt in this, To mind the silkworm and the loom.
หน้า 101 - If I take my wings early in the morning, and dwell in the uttermost parts of the sea : 10 Even there also shall thy hand lead me : and thy right hand shall hold me.
หน้า 64 - I have told thee, the beggar which thou now nearest crying aloud in the street was slain by thy soldiers with a sword. THE KING. Do ghosts eat bread? Forsooth, men who have been slain with a sword do not go about in the streets crying for a piece of bread. THE SERVANT. Forsooth, they do if they are fashioned as this beggar. THE KING. Why, he is but a man. Surely he cannot have more than one life in a lifetime. THE SERVANT. Listen to a tale, O king, which happened yesterday. THE KING. I am listening....
หน้า 73 - I will blow over this palace and all the bones in thy foolish body I will snap between my fingers. I will beat upon a large drum and thy head will be my drumstick. I will not do these things now. But one day I will do them. Therefore, when my voice sounds again in thine ears, begging for bread, remember what I have told thee. Remember, O king, and be afraid! [He walks out. THE SERVANT, struck dumb, stares after him. THE KING sits in his chair, dazed.] THE KING [suddenly collecting his wits]: After...