The Rise of the Creative Class--Revisited: Revised and Expanded

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Basic Books, 7 Á.¤. 2014 - 512 ˹éÒ
A provocative new way to think about why we live as we do today-and where we might be headed.
Initially published in 2002, The Rise of the Creative Class quickly achieved classic status for its identification of forces then only beginning to reshape our economy, geography, and workplace. Weaving story-telling with original research, Richard Florida identified a fundamental shift linking a host of seemingly unrelated changes in American society: the growing importance of creativity in people's work lives and the emergence of a class of people unified by their engagement in creative work. Millions of us were beginning to work and live much as creative types like artists and scientists always had, Florida observed, and this Creative Class was determining how the workplace was organized, what companies would prosper or go bankrupt, and even which cities would thrive.

In The Rise of the Creative Class Revisited, Florida further refines his occupational, demographic, psychological, and economic profile of the Creative Class, incorporates a decade of research, and adds five new chapters covering the global effects of the Creative Class and exploring the factors that shape "quality of place" in our changing cities and suburbs.
 

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Preface to The Rise of the Creative Class Revisited
Preface to the Original Edition
INTRODUCTION
The Transformation of Everyday Life
THE CREATIVE
The Creative Economy
The Creative Class
Appendix
The Big Morph
COMMUNITY
Place Matters
The Geography of Class
The 3Ts of Economic Development
Global Reach
Quality of Place
Building the Creative Community

WORK
The Machine Shop and the Hair Salon
Brave New Workplace
NoCollar
LIFE
Time Warp
The Experiential Life
CONTRADICTIONS
The Geography of Inequality
The Inclining Significance of Class
CONCLUSION
Every Single Human Being Is Creative
Acknowledgments
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Richard Florida, Director of the Martin Prosperity Institute at the University of Toronto';s Rotman School of Management and Global Research Professor at New York University, is the founder of the Creative Class Group and a senior editor for The Atlantic. He lives in Toronto.

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