Greek HomosexualityHarvard University Press, 1989 - 244 ˹éÒ To what extent and in what ways was homosexuality approved by the ancient Greeks? Here is the first serious examination of this question, written by an eminent classical scholars. The author explores all the sources of information we have: vase paintings, archaic and classical poetry, the dialogues of Plato, speeches in the lawcourts, the comedies of Aristophanes. He shows what restraints were imposed by law, and looks at the Athenians' idea of beauty in the human body, their notion of manliness. A discussion of female homosexuality is included. His judicious analysis offers an understanding of Greek distinctions and practices that will well serve anyone interested in classical art and society. -- From publisher's description. |
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˹éÒ 149
... girl , Trygaios in Peace marries Opora and presents Theoria to the Council , and Peisetairos in Birds marries Basileia . For the chorus of Acharnians the return of peace signifies the enjoyment of women ( 989-99 ; cf. Trygaios in Peace ...
... girl , Trygaios in Peace marries Opora and presents Theoria to the Council , and Peisetairos in Birds marries Basileia . For the chorus of Acharnians the return of peace signifies the enjoyment of women ( 989-99 ; cf. Trygaios in Peace ...
˹éÒ 179
... girl ; 22 so they are , in the sense that if she had not been in love with the girl she would not have experienced such symptoms , but collectively they amount to an anxiety - attack , 23 and the fact that she feels towards her male ...
... girl ; 22 so they are , in the sense that if she had not been in love with the girl she would not have experienced such symptoms , but collectively they amount to an anxiety - attack , 23 and the fact that she feels towards her male ...
˹éÒ 180
... girl so praised for her beauty could ' distress ' those who praise her . Whether the girls for whom Alkman composed this partheneion came all from one family depends on how we interpret the fact that , singing collectively , they call ...
... girl so praised for her beauty could ' distress ' those who praise her . Whether the girls for whom Alkman composed this partheneion came all from one family depends on how we interpret the fact that , singing collectively , they call ...
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PROBLEMS SOURCES AND METHODS | 1 |
THE PROSECUTION OF TIMARKHOS | 19 |
B Manifestations of Eros | 39 |
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