The Cambridge Companion to English Literature, 1740-1830Thomas Keymer, Jon Mee, Margaret Canfield Fellow in English Jon Mee Cambridge University Press, 17 ÁÔ.Â. 2004 - 308 ˹éÒ This volume offers an introduction to British literature that challenges the traditional divide between eighteenth-century and Romantic studies. Contributors explore the development of literary genres and modes through a period of rapid change. They show how literature was shaped by historical factors including the development of the book trade, the rise of literary criticism and the expansion of commercial society and empire. The wide scope of the collection, juxtaposing canonical authors with those now gaining new attention from scholars, makes it essential reading for students of eighteenth-century literature and Romanticism. |
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Criticism taste aesthetics | 24 |
Literature and politics | 43 |
James Gillray New Morality from the AntiJacobin Review | 52 |
Literature national identity and empire | 61 |
Sensibility | 80 |
Theatrical culture | 100 |
Wonderful Exhibition mock playbill by Robert Merry 1794 | 105 |
Gothic | 119 |
Sterne and Romantic autobiography | 173 |
Blake and the poetics of enthusiasm | 194 |
William Blakes watercolour illustration for Night I of | 202 |
Barbauld Robinson and Smith 2ΙΙ | 211 |
Wordsworth and Coleridge | 227 |
Jane Austen and the invention of the serious modern novel | 244 |
Keats Shelley Byron and the Hunt circle | 263 |
John Clare and the traditions of labouringclass verse | 280 |
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The Cambridge Companion to English Literature, 1740–1830 Thomas Keymer,Jon Mee ªÁºÒ§Êèǹ¢Í§Ë¹Ñ§Ê×Í - 2004 |
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