The Cambridge Companion to English Literature, 1740-1830Thomas Keymer, Jon Mee Cambridge University Press, 17 ÁÔ.Â. 2004 - 308 ˹éÒ This volume offers an introduction to British literature that challenges the traditional divide between eighteenth-century and Romantic studies. Contributors explore the development of literary genres and modes through a period of rapid change. They show how literature was shaped by historical factors including the development of the book trade, the rise of literary criticism and the expansion of commercial society and empire. The wide scope of the collection, juxtaposing canonical authors with those now gaining new attention from scholars, makes it essential reading for students of eighteenth-century literature and Romanticism. |
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Readers writers reviewers and the professionalization | 3 |
London printsellers Laurie and Whittle 1804 | 20 |
Criticism taste aesthetics | 24 |
Literature and politics | 43 |
James Gillray New Morality from the AntiJacobin Review | 52 |
Literature national identity and empire | 61 |
Sensibility | 80 |
Theatrical culture | 100 |
Johnson Boswell and their circle | 157 |
Blake and the poetics of enthusiasm | 194 |
William Blakes watercolour illustration for Night I of | 202 |
Barbauld Robinson and Smith | 211 |
Wordsworth and Coleridge | 227 |
Jane Austen and the invention of the serious modern novel | 244 |
Keats Shelley Byron and the Hunt circle | 263 |
John Clare and the traditions of labouringclass verse | 280 |
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The Cambridge Companion to English Literature, 1740–1830 Thomas Keymer,Jon Mee ªÁºÒ§Êèǹ¢Í§Ë¹Ñ§Ê×Í - 2004 |
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aesthetic Anna Laetitia Barbauld autobiography Barbauld Blake Boswell Boswell's Britain British Byron Cambridge Companion Cambridge University Press century Clare Clarendon Press Clarissa Cockney Coleridge Coleridge's contemporary criticism cultural drama edited eighteenth eighteenth-century emotional English enthusiasm essay female fiction Fielding's genius genre Gothic Gothic fiction Henry Fielding heroine Hunt Hunt's identity imagination Jacobite James Jane Austen John John Thelwall Jones Journal Keats kind labour labouring-class poets later Letters literary literature London Lyrical Ballads Mary moral narrative nature novel novelist Oriental Oxford University Press Pamela passions patent theatres period poem poetic poetry political Polwhele preface Prelude Princeton prose published radical readers Robert Robinson Romantic Romanticism Samuel Johnson Samuel Richardson Sarah Fielding satire Scottish sense Sensibility sentimental Shakespeare Shelley social Southey theatre Thelwall Thomas tion Tom Jones tradition Tristram Shandy Unsex'd Females verse vols volume William William Wordsworth Wollstonecraft women poets Wordsworth writing wrote