Rediscovering the Harlem Renaissance: The Politics of ExclusionTaylor & Francis, 1997 - 169 หน้า This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's A Comedy of Errors. Miola's edited work also features a comprehensive critical history, coupled with a full bibliography and photographs of major productions of the play from around the world. In the collection, there are five previously unpublished essays. The topics covered in these new essays are women in the play, the play's debt to contemporary theater, its critical and performance histories in Germany and Japan, the metrical variety of the play, and the distinctly modern perspective on the play as containing dark and disturbing elements. To compliment these new essays, the collection features significant scholarship and commentary on The Comedy of Errors that is published in obscure and difficulty accessible journals, newspapers, and other sources. This collection brings together these essays for the first time. |
เนื้อหา
Introduction | 3 |
History of the Harlem Renaissance | 9 |
What Are the Reasons for Exclusion of Harlem Artists from Major Texts? | 23 |
What is the Relation of Harlem Renaissance Artists to Modernism? 377 | 37 |
Are the Tools and Assumptions of the Modernist Critique Sufficient to Define and Evaluate Harlem Renaissance Art? 1333 | 73 |
The Cult of the Primitive | 95 |
คำและวลีที่พบบ่อย
Aaron Douglas African American art African American artists African American culture African sculpture Afro-American Afrocentricity Alain Locke American Scene argues art history Art in America Asante avant-garde Barthes became become believe black aesthetic black American black art black artists black community black culture black experience black women canonical texts century Chicago civilization Claude McKay color concept Countee Cullen critics Cubism defined discourse dominant Driskell ethnic European exhibitions expression Foucault Garvey Goldwater Harlem artists Harlem Renaissance Harlem Renaissance artists Harmon Foundation Hayden historians History of Art Huggins Hurston Ibid idea identity ideology intellectual interest Janson's Jazz Langston Hughes literary Modern Art modernist movement multiculturalism Museum myth Nathan Huggins Negro Art Negro artist Nochlin painting Palmer Hayden Picasso political primitive primitivism propaganda Publishers racial reality slavery social realism society style themes Theory Toomer tradition University Press visual artists W.E.B. DuBois Western York Yoruba