Advanced Text-book of English Composition, in Prose and Verse ... |
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˹éÒ 4
... for on the completeness and accuracy of the outline , the true excellence of the after composition , as an expression of connected thought , mainly depends . In the chapters on Versification , the author has made 4 PREFACE .
... for on the completeness and accuracy of the outline , the true excellence of the after composition , as an expression of connected thought , mainly depends . In the chapters on Versification , the author has made 4 PREFACE .
˹éÒ 19
... expression of the ideas . " It is an invariable maxim , " says Campbell , " that words which add nothing to the sense or to the clearness must diminish the force of the expression . " might have been added , that , if words add nothing ...
... expression of the ideas . " It is an invariable maxim , " says Campbell , " that words which add nothing to the sense or to the clearness must diminish the force of the expression . " might have been added , that , if words add nothing ...
˹éÒ 20
... expressions is therefore unnecessary . The adjective " whole " might also be dispensed with , inasmuch as " the nation " implies the qualification ; but in this case the attribute intensifies the unity and universality of the applause ...
... expressions is therefore unnecessary . The adjective " whole " might also be dispensed with , inasmuch as " the nation " implies the qualification ; but in this case the attribute intensifies the unity and universality of the applause ...
˹éÒ 22
... expressions ; 2. To avoid harsh - sounding words ; 3. To avoid obsolete words and foreign idioms . 26. I. Slang consists for the most part of vulgar metaphors and imitative words , introduced first into the spoken language by those who ...
... expressions ; 2. To avoid harsh - sounding words ; 3. To avoid obsolete words and foreign idioms . 26. I. Slang consists for the most part of vulgar metaphors and imitative words , introduced first into the spoken language by those who ...
˹éÒ 23
... expression of his idea than in any English word he can produce . But the frequent use of such words is generally due , not to necessity , but to affectation ; and this is a vice which impairs very greatly , not only the purity , but ...
... expression of his idea than in any English word he can produce . But the frequent use of such words is generally due , not to necessity , but to affectation ; and this is a vice which impairs very greatly , not only the purity , but ...
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accent alternately arguments arms arrangement authors beginning bridge called character classical combination complex composition consists construction contains corrections correspond dead death defective Description draw effect England English example Exercise expression eyes feel feet figure foot four frequently friends give grace hand happiness head heart History idea introduced irregular Jesus kind King language leaves less letter light lines Lord margin marked meaning measure mind Narrative nature never objects once paragraph poetry principle proof Prose question referred Reflections regards regular rhyming rules sense sentence shewed side simple sometimes soon sound stand stanza style syllables taken takes Tetrameter thee Theme thing thou thought tion Trimeter true truth verse weak whole words write
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˹éÒ 109 - Hew down the bridge, Sir Consul, With all the speed ye may; I, with two more to help me, Will hold the foe in play. In yon strait path a thousand May well be stopped by three. Now who will stand on either hand, And keep the bridge with me?" Then out spake Spurius Lartius ; A Ramnian proud was he: "Lo, I will stand at thy right hand, And keep the bridge with thee.
˹éÒ 124 - EXEGI monumentum aere perennius Regalique situ pyramidum altius, Quod non imber edax, non Aquilo impotens Possit diruere aut innumerabilis Annorum series et fuga temporum. Non omnis moriar, multaque pars mei Vitabit Libitinam. Usque ego postera Crescam laude recens, dum Capitolium Scandet cum tacita Virgine pontifex.
˹éÒ 116 - The Lord possessed me in the beginning of his way, before his works of old. I was set up from everlasting, from the beginning, or ever the earth was. When there were no depths, I was brought forth ; when there were no fountains abounding with water. Before the mountains were settled, before the hills was I brought forth...
˹éÒ 109 - But the consul's brow was sad And the consul's speech was low, And darkly looked he at the wall And darkly at the foe : " Their van will be upon us Before the bridge goes down ; And if they once may win the bridge, What hope to save the town?
˹éÒ 112 - Tiber ! Father Tiber ! To whom the Romans pray, A Roman's life, a Roman's arms, Take thou in charge this day !" So he spake, and speaking sheathed The good sword by his side, And, with his harness on his back, Plunged headlong in the tide.
˹éÒ 105 - The lion would not leave her desolate, But with her went along, as a strong guard Of her chaste person, and a faithful mate Of her sad troubles and misfortunes hard ; Still, when she slept, he kept both watch and ward; And, when she waked, he waited diligent, With humble service to her will prepared : From her fair eyes he took commandement, And ever by her looks conceived her intent.
˹éÒ 91 - I HELD it truth, with him who sings To one clear harp in divers tones, That men may rise on stepping-stones Of their dead selves to higher things.
˹éÒ 99 - Then the little Hiawatha Learned of every bird its language, Learned their names and all their secrets, How they built their nests in Summer, Where they hid themselves in Winter, Talked with them whene'er he met them, Called them, "Hiawatha's Chickens." Of all beasts he learned the language, Learned their names and all their secrets, How the beavers built their lodges, Where the squirrels hid their acorns, How the reindeer ran so swiftly, Why the rabbit was so timid, Talked with them whene'er he...
˹éÒ 88 - Now came still evening on, and twilight gray Had in her sober livery all things clad ; Silence accompanied ; for beast and bird, They to their grassy couch, these to their nests, Were slunk, all but the wakeful nightingale, She all night long her amorous descant sung...
˹éÒ 46 - Oh ! what a revolution ! and what a heart must I have, to contemplate without emotion that elevation and that fall ! Little did I dream when she added titles of veneration to those of enthusiastic, distant, respectful love, that she should ever be obliged to carry the sharp antidote against disgrace concealed in that bosom...