English: Composition and LiteratureHoughton, Mifflin, 1900 - 275 ˹éÒ |
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animal argument from cause arrangement beautiful beginning Canto chapter character clauses climax Coherence common composition conclusion definition Dependent clauses Describe effect emphasis English enthymeme essay example explain exposition expression eyes fact form of discourse frequently George Eliot give Gold-Bug graph Hawthorne Ichabod Crane ideas important introduced Irving language large number last sentence look Lowell Macaulay main incident major premise Marner Mass matter means ment method Milton mind narration narrative natural necessary Old Manse paragraph periodic sentences person phrases picture plot poetry point of view position premise principle proposition pupils purple blazed purpose reader relation repetition Riverside Literature Series selection of material short Silas Marner Sir Launfal Sleepy Hollow Socrates stanza Stevenson story suggested syllogism tell tence term theme thing thought tion topic truth unity verb Wee Willie Winkie whole words write
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˹éÒ 253 - And only the Master shall praise us. and only the Master shall blame: And no one shall work for money. and no one shall work for fame. But each for the joy of the working. and each. in his separate star. Shall draw the Thing as he sees It for the God of Things as They Are!
˹éÒ 251 - TEARS, idle tears, I know not what they mean, Tears from the depth of some divine despair Rise in the heart, and gather to the eyes, In looking on the happy Autumn-fields, And thinking of the days that are no more. Fresh as the first beam glittering on a sail, That brings our friends up from the underworld, Sad as the last which reddens over one That sinks with all we love below the verge ; So sad, so fresh, the days that are no more.
˹éÒ 252 - When earth's last picture is painted and the tubes are twisted and dried, When the oldest colors have faded, and the youngest critic has died, We shall rest, and, faith, we shall need it — lie down for an aeon or two, Till the Master of All Good Workmen shall set us to work anew...
˹éÒ 271 - And my poor fool is hang'd! No, no, no life! Why should a dog, a horse, a rat, have life, And thou no breath at all? Thou'lt come no more, Never, never, never, never, never!
˹éÒ 185 - Their palaces were houses not made with hands ; their diadems, crowns of glory which should never fade away. On the rich and the eloquent, on nobles and priests, they looked down with contempt, for they esteemed themselves rich in a more precious treasure, and eloquent in a more sublime language — nobles by the right of an earlier creation, and priests by the imposition of a mightier hand.
˹éÒ 176 - When public bodies are to be addressed on momentous occasions, when great interests are at stake, and strong passions excited, nothing is valuable, in speech, farther than it is connected with high intellectual and moral endowments. Clearness, force, and earnestness are the qualities which produce conviction.
˹éÒ 70 - The cognomen of Crane was not inapplicable to his person. He was tall, but exceedingly lank, with narrow shoulders, long arms and legs, hands that dangled a mile out of his sleeves, feet that might have served for shovels, and his whole frame most loosely hung together.
˹éÒ 57 - Master shall praise us, and only the Master shall blame ; And no one shall work for money, and no one shall work for fame ; But each for the joy of the working, and each, in his separate star, Shall draw the Thing as he sees It for the God of Things as They Are!
˹éÒ 185 - On the rich and the eloquent, on nobles and priests, they looked down with contempt; for they esteemed themselves rich in a more precious treasure and eloquent in a more sublime language, nobles by the right of an earlier creation and priests by the imposition of a mightier hand. The very meanest of them was a being to whose fate a mysterious...
˹éÒ 176 - Affected passion, intense expression, the pomp of declamation, all may aspire after it, they cannot reach it. It comes, if it come at all, like the outbreaking of a fountain from the earth, or the bursting forth of volcanic fires, with spontaneous, original, native force.