Forms of Feeling: The Heart of PsychotherapyRoutledge, 21 Ê.¤. 2013 - 336 ˹éÒ First published in 1985. This book is aimed at readers who wish to learn how to engage in psychotherapy: for beginners, for experienced practitioners, for disciplined research workers, as for the author, the word 'psychotherapy' has a very broad meaning. The author describes this as an 'autobiography': the development of ideas, attitudes, and meanings which have arisen and been transformed through joy, sorrow, chaos, and relative tranquillity in a journey of forty years through the world of academic psychiatry, of analytical psychotherapy, of scientific research, and of life in a therapeutic community. To a large extent this book is an expression of individual experience. |
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˹éÒ 17
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2 | |
Book II The Minute Particulars | 161 |
Book III The Heart of a Psychotherapist | 258 |
Notes | 282 |
A Note on Sources References and Further Reading | 298 |
References | 300 |
Name Index | 310 |
Subject Index | 314 |
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action activity aloneness-togetherness anxiety attitude avoidance basic basic anxiety become behaviour bodily Chapter Chip Coleridge communication complex conflict Conversational Model convey cotton-grass creative cricket dialogue discussion dream emerge emotion experience explore expression eyes face fantasy fear feeling feeling-language forms formulation Freda goal heart Hobson hope human ideas images imaginative important inner insight interview intimate Joe Smith John Bowlby Jones Jung Kekulé language language-games learning living symbol loneliness look loss Maggie Martin Chivers means minute particulars mode mother movement moving metaphor mutual non-verbal organized pain patient patterns Paul Tillich peak experience perhaps personal conversation personal problem-solving personal relationship possible present problem psychiatrist psychoanalysis psychological psychotherapy relation response Samuel Taylor Coleridge sense shared signal significant situation speak Stephen story suggest talk therapeutic therapist therapy things thinking thought true voice understanding weft whole William Blake William Wordsworth word Wordsworth