Par. Michal is dead! pray Christ we do not craze ! Fest. Aureole, dear Aureole, look not on me thus ! Fool, fool! this is the heart grown sorrow-proof I cannot bear those eyes. Par. Nay, really dead ? Fest. 'Tis scarce a month... Par. Stone dead!—then you have laid her Fest. Aureole ... Par. Nay, do not laugh; there is a reason For what I say: I think the soul can never Taste death. I am, just now, as you may see, In an intelligible dress of words; But take it as my trust, she is not dead. Fest. But not on this account alone? you surely, -Aureole, you have believed this all along? Par. And Michal sleeps among the roots and dews, While I am moved at Basil, and full of schemes For Nuremburg, and hoping and despairing, As though it mattered how the farce plays out, So it be quickly played. Away, away ! Have your will, rabble! while we fight the prize, Troop you in safety to the snug back-seats, V.-PARACELSUS ATTAINS. SCENE. A cell in the Hospital of St. Sebastian, at Salzburg. 1541. FESTUS, PARACELSUS. Fest. No change! The weary night is well nigh spent, The lamp burns low, and through the casement-bars Grey morning glimmers feebly—yet no change! Another night, and still no sigh has stirred That fallen discoloured mouth, no pang relit Those fixed eyes, quenched by the decaying body, Like torch-flame choked in dust: while all beside Was breaking, to the last they held out bright, As a strong-hold where life intrenched itself; But they are dead now-very blind and dead. He will drowse into death without a groan! My Aureole-my forgotten, ruined Aureole ! The days are gone, are gone! How grand thou wert: And now not one of those who struck thee down Poor, glorious spirit-concerns him even to stay And satisfy himself his little hand Could turn God's image to a livid thing. Another night, and yet no change! 'Tis much From the dying man: my brain swam, my throat swelled, They told me how, when first brought here, he seemed Thus striving to keep up his shattered strength, When straight his features fell-an hour made white As though it recognised the tomb-like place; Ay, here! Here is earth's noblest, nobly garlanded— Her bravest champion, with his well-won meed Her best achievement, her sublime amends For countless generations, fleeting fast And followed by no trace ;-the creature-god We clothe with purple, crown and call to thrones, Whom other men press round and kneel before- Higher provision is for him you seek Amid our pomps and glories: see it here! Behold earth's paragon! Now, raise thee, clay! God! Thou art Love! I build my faith on that! So doth thy right hand guide us through the world How has he sinned? How else should he have done? Surely he sought thy praise-thy praise, for all As to forget awhile its proper end. Dost thou well, Lord? Thou canst not but prefer Thy glory forth? Hadst Thou but granted him Or, say he erred,— A halo round a star. It were too strange that I should doubt thy love: But what am I? Thou madest him, and knowest How he was fashioned. I could never err That way the quiet place beside thy feet, But he-Thou shouldst have favoured him as well! Ah! he wakes! Aureole, I am here-'tis Festus! Let him but know me-only speak to me! Let me speak to him in another's name. The schools of Paris and of Padua send These questions for your learning to resolve. |